Across Territories: Osklen Returns to Its Core

Over 30 years revisited through very clear codes: manual coconut tree prints, the nobility of raw materials like jute and pirarucu, and a sophistication that comes more from construction than excess.

Osklen didn’t just present a collection. It presented a conscious return to its core.

At the center of it all, a point that feels almost didactic. The revisited long johns and the fusion of beachwear with tailoring.

Without forgetting the snow jackets, where it all began back in 1989, now reimagined for 2026 in a luxurious version fully crafted in pirarucu.

Because this is not just styling. This is origin.

Osklen was built on clothing that moves across territories. From the beach to the city, from sand to tailoring, from day to night.

What appears on the runway is not an idea. It is behavior. In Rio, these opposites are not in conflict. They are complementary. There is a very specific, very local way of moving between these spaces, and the clothes follow that movement.

The collection reconnects with this starting point while filtering it through a cleaner lens. Lean silhouettes, impeccably constructed pieces, and abstract prints that refresh the language and bring color into the collection.

Material contrast sharpens this tension. Natural fibers and raw textures set against shine and crystal.

The long johns and the bursts of crystal also nod to the 2000s, once objects of pure desire, now revisited with more control and less excess.

In the end, the show unfolds as a clear and consistent chronological reading of the brand.

Captured and curated by @LeeOliveira & @PatrickDoering, live from Rio.

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