Bahareh Ardakani’s collection took its cues from how light diffracts in gemstones in a metaphor for the invisible mechanics that make couture shine. Style Cartel adores a slight shimmer and ArdAzAei Haute Couture Fall/Winter 2023. Enjoy our intimate Runway Report. With only two runway shows under her belt, the Iranian and Swedish x-stylist is ready to shine.
ArdAzAei Haute Couture
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Bahareh Ardakani’s collection took its cues from how light diffracts in gemstones in a metaphor for the invisible mechanics that make couture shine. Style Cartel adores a slight shimmer and ArdAzAei Haute Couture Fall/Winter 2023. Enjoy our intimate Runway Report. With only two runway shows under her belt, the Iranian and Swedish x-stylist is ready to shine.
ArdAzAei Haute Couture Fall/Winter 2023
The work of ArdAzAei founder and creative director Bahareh Ardakani is already attracting buzz in the front row, with the likes of reality TV stars Lisa Rinna and Nicole Ari Parker Kodjoe and actress Fan Bingbing introducing the designer and wearing the designer and the drip for the day. As we attendees sip on a little Champs before show time. Ardakani sent sculptural designs down the runway, and The lineup, titled “The Diffraction of Light,” was influenced by her studies in gemology but was also a metaphor for the invisible mechanics that make a haute couture lustre.
Edifice was vital here, even when a distracting oversize bow or plethora of ruffles came to recreate silhouettes. The most fierce looks were those where design prevailed through sharp tailoring or pleating and embroidery work.
Haute Couture Runway Report
The first look, all high neck, bold shoulders and a draped straight skirt; a formfitting dress with thin straps with embroidered metal beads that looked like delicate chains draped down the front; a slim suit cut from a silk, cotton and Lurex jacquard in a graphic pattern taking its cues from the atomic structure of beryls.
The final high-neck gown, all geometric pleating and metallic Lurex, was a collaboration with Catalonian folding artist Joan Sallas and the artisans of Chanel-owned pleating specialist Atelier Lognon. Angular as the starting point was — a segment was pinned on a board backstage — it came alive with the model’s every step.
Ardakani said she wanted to continue a slow and steady approach, focusing on her couture and coming ready-to-wear developments, particularly their sustainability credentials. After receiving the Global Organic Textile Standard certificate last year, the designer indicated that a quarter of her fall designs met its criteria.
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Photos: ArdAzAei Couture
